#georgia nicholson

[krsonmar]

Georgia Nicholson IRL

I got a really bad haircut and am tempted to just shave my head bald to fix it

[blogmollylane]

Finished rereading:

The Confessions of Georgia Nicholson

The Misadventures of Tallulah Casey

Both series by Louise Reinnson

[thap1nkblog]

     ❝ CAUSE LORD, I WANNA

           𝐓𝐄𝐒𝐓𝐈𝐅𝐘! ❞

  a negative⋆azure exclusive

❝ in which a well established a list musician finds himself facing the music after a reckless night out that lands him in the wrong place at the wrong time - resulting in him being at the center of a murder investigation. ❞ 

✰ 𝐁𝐄𝐇𝐈𝐍𝐃 𝐓𝐇𝐄 𝐌𝐔𝐒𝐈𝐂:

“oh is that murda? turn this shit up!”

[18+] this story contains mature language, and sexual situations and suggestive themes. as well as mentions and depictions of violence, abuse, and substance use.

✰ 𝐍𝐎𝐖 𝐏𝐋𝐀𝐘𝐈𝐍𝐆:

with his name in lights, sold out concerts, and billboard 100 charting rap songs, a list rapper and full time “bad boy” jamari gardner - known widely by his stage name, murda, has lived a life that is filled with money, drugs, and everything his heart could’ve ever wanted. or so he thought. 

after his latest string of crash out, piss poor behavior that has his name circulating more often than not for his publicity stunts for attention rather than his music - jamari’s image to the public is a stark contrast of what the people closest to him know him to be. 

with his face plastered all over tmz, lipstickalley, and other gossip blogs at the center of a wrong place, wrong time situation that has his name involved in a murder case, his record label had no choice but to issue him an ultimatum - 

either straighten up his act, or pay back the advance given on his contract. 

shipped back to the his hometown of woodbury, georgia by his team with the idea in mind of doing a complete detox while they handle the pr massacre left behind in atlanta, being back in his old stomping grounds has jamari facing the lights of what his fame and fortune really mean to him, and if it’s even worth it at all in the end. 

and as he rebuilds connections he thought he lost - like with one woman in particular - karma everett, a little detox from the noise and energy associated with his career could be just what he needed. 

               ❝ 𝐖𝐎𝐎𝐃𝐁𝐔𝐑𝐘'𝐒 𝐅𝐈𝐍𝐄𝐒𝐓 ❞

j alphonse nicholson as 𝐉𝐀𝐌𝐀𝐑𝐈 ❝𝐌𝐔𝐑𝐃𝐀❞ 𝐆𝐀𝐑𝐃𝐍𝐄𝐑

shannon thornton as 𝐊𝐀𝐑𝐌𝐀 𝐄𝐕𝐄𝐑𝐄𝐓𝐓

✰ 𝐓𝐑𝐀𝐂𝐊 𝐋𝐈𝐒𝐓:

❝ what? his album is coming out so soon?! ❞

         𝐬𝐢𝐝𝐞 𝐚 ✰ 𝐣𝐚𝐦𝐚𝐫𝐢'𝐬 𝐦𝐢𝐱 

        𝐬𝐢𝐝𝐞 𝐛 ✰ 𝐤𝐚𝐫𝐦𝐚'𝐬 𝐦𝐢𝐱

𝐁𝐎𝐍𝐔𝐒: like you’ll never see me again, alicia keys

✰ 𝐅𝐀𝐂𝐄 𝐓𝐇𝐄 𝐌𝐔𝐒𝐈𝐂:

“i know you heard me - i said turn that shit the fuck up!”

the interlude, ❝𝐝𝐫𝐞𝐚𝐦𝐜𝐡𝐚𝐬𝐞𝐫❞ 

the key signature, ❝𝐝𝐫𝐞𝐚𝐦𝐬 𝐚𝐧𝐝 𝐫𝐞𝐚𝐥𝐢𝐭𝐢𝐞𝐬❞ 

track i, ❝𝐦𝐮𝐫𝐝𝐚 𝐨𝐧 𝐦𝐲 𝐦𝐢𝐧𝐝❞

track ii, ❝𝐰𝐨𝐨𝐝𝐛𝐮𝐫𝐲❞ 

                         ❝ and that’s 𝐁𝐈𝐆 𝐌𝐔𝐑𝐃𝐀 to you, pussy! ❞

  ❝ 𝐓𝐄𝐒𝐓𝐈𝐅𝐘 ❞ is a negative-azure original, inspired loosely by the world/events of p-valley. i don’t own any of “murda’s” songs, and i give full credit to p-valley for their beautiful show and characters. (patiently impatiently waiting for season three)

i hope you all enjoy. 

[areyoudreaminof]

Quick question for the millennials:

we all read the Georgia Nicholson and or Princess Diaries in the early 2000’s? Right? If I did a teen diary AU fic people would get it?

@striving4mikey and @bunburyahoy I already know you two did.

[todaysdocument]

Memorial of the African-American People of Georgia in Favor of the Sumner Civil Rights Bill

Record Group 233: Records of the U.S. House of RepresentativesSeries: Petitions and Memorials Referred to the Committee on the JudiciaryFile Unit: Petitions and Memorials, Resolutions of State Legislatures, and Related Documents Which Were Referred to the Committee on the Judiciary during the 43rd Congress

Atlanta, Ga., Jan. 26th, 1874. Whereas, Hon. A. H. Stephens in his speech before Congress, January 5th, 1874, said that colored people of the State of Georgia did not desire the passage of the Civil Rights Bill; and whereas, the Georgia Legislature has also adopted resolutions, informing the Congress of the United States that the colored people of Georgia do not desire the passage of said Civil Rights Bill; and whereas, the allegations of Mr. Stephens and the Georgia Legislature are without foundation in fact: therefore, Resolved, That we, a portion of the colored citizens of Georgia, do most solemnly deny, both the speech of A. H. Stephens, and said Resolutions of the Georgia Legislature, so far as they relate to the colored citizens of this State being adverse to the passage of said Civil Rights Bill. Therefore, Resolved, That some arrangement be made by this meeting to deny the fact of the said assertions of Mr. Stephens, and the Georgia Legislature. 2. Resolved, That we, the citizens of the city of Atlanta, Ga., immediately inform the Congress of the United States, that we desire a speedy passage of the said Civil Rights Bill; and that we claim it as a right they owe us, as members of the Republican Party, and more particularly as citizens of the United States. 3. Resolved, That we most heartedly congratulate and thank Mr. Elliott, for his able and pointed speech, January 6th, 1874, in the House of Representatives of the United States, in behalf of the passage of the Civil Rights Bill, and in vindicating the ability and patriotism of the colored citizens of this country. Respectfully, J. O. WIMBISH W. D. MOORE, SECRETARY, J. B. FULLER, CHAIRMAN. Therefore, We, a committee appointed at a mass meeting of the colored citizens of the city of Atlanta, Ga., held on the 26th day of January, 1874, with power to forward on the above expression of eleven thousand of colored citizens of this City, do make this PETITION: To the Honorable Senate and House of Representatives: We, the undersigned committee, do hereby respectfully petition your honorable bodies to speedily pass the Civil Rights Bill, now under consideration in Congress, as the earnest request of the above stated citizens; wit hthe further request that your honorable bodies will, in view of the unjust manner in which we are now treated by the Legislature and the judicial tribunals in this State, enact such laws as, in your wisdom, are necessary to secure each citizen in the United States, without regard to race, color, or previous condition of servitude, equal civil and political rights, privileges and immunities before the law. And we your petitioners will ever pray. Dr. H. E. BAULDIN REV. ROMULUS MOORE C. WIMBISH C. H. MORGAN JAS. A. TATE. [Added by type beside list of names] Committee. We, the undersigned, members of the Georgia Legislature, fully endorse the above Resolutions and Petitions: T. G. CAMPBELL, SR. Ex. Senator 2d District. T. G. CAMPBELL, JR., Representative of McIntosh Co. I. H. ANDERSON, Senator 23d District. JASPER BATTLE, Representative of Thomas Co. A. J. NICHOLSON, Representative of Decatur Co. J. HEARD, Representative of Greene Co. JAMES B DEVEAUX, Senator 21st District. JAMES BLUE, Representative of Glynn Co. A. J. ATKINSON, Representative of Thomas Co. W. A. GOLDEN, Representative of Liberty Co.

[justinspoliticalcorner]

Jonathan Nicholson and Arthur Delaney at HuffPost:

WASHINGTON ― A long-running threat to Speaker Mike Johnson’s hold on power in the House of Representatives ended Wednesday with a whimper rather than a bang as most Democrats joined all but 11 Republicans to set aside a move to ouster him. Though the vote to table the motion by Rep. Marjorie Taylor Greene (R-Ga.) was overwhelming ― 359 to 43, with seven voting “present” ― it’s unclear if the result means an end to a weeks-long intra-party struggle or just the beginning of a new chapter of infighting inside the House Republican conference.

“I appreciate the show of confidence from my colleagues to defeat this misguided effort,” Johnson (R-La.) said after the vote, in which he got the support of 196 of the 217 House Republicans. “Hopefully, this is the end of the personality politics and the frivolous character assassination that has defined the 118th Congress.” Greene was unrepentant. “I’m proud of myself because this is the whole reason I ran for Congress,” she told reporters after the vote. “I didn’t come up here to put it into cruise control and ride along and make it easy and just vote however they tell me to vote. I’m done with that Republican Party. That Republican Party has held hands with the Democrat Party for so long,” Greene said.

The outcome was not a surprise, since Democratic leaders had said they would provide votes to save Johnson’s gavel if Greene force the vote. But Greene had appeared to back off her threat, which she first made against Johnson in March. She said Tuesday that the “ball is in his court” after meeting with the speaker. Lawmakers booed loudly on the House floor when they realized Greene would trigger the vote against Johnson after all, using a power afforded all lawmakers under current House rules. It was then up to Johnson’s leadership team to act on her motion within two days, and they opted to kill it immediately, before lawmakers left town until next week.

Rep. Marjorie Taylor Greene (R-GA)’s bid to force a Motion To Vacate vote on Speaker Mike Johnson (R-LA) blew up badly in her face, as her motion was massively defeated in a 359-43-7 vote to table the resolution. 11 Republicans and 32 Democrats voted against the tabling of the resolution.

[justforbooks]

“I hear you’re making a movie about a fish,” the cinematographer Bill Butler said to the young director Steven Spielberg when they bumped into each other on the Universal lot in 1974. Butler, then in his early 50s, had already shot two projects for Spielberg – the TV movie Something Evil (1972) and Savage (1973), a pilot that was not taken up as a series. But it was their collaboration on the “fish movie” that cemented their reputations.

Summer was not previously regarded as an optimum time to release a big studio picture, which is why Jaws (1975), which flooded screens across the US rather than trickling out in stages, is considered the first summer blockbuster – though its finesse and skill, not to mention an intimate second half in which the cast dwindles to three men and a largely unseen shark, give it little in common with the sort of crash-bang-wallop productions that followed in its wake.

It remains one of the finest slow-burning suspense movies outside Hitchcock in his heyday, due in no small part to the cinematography by Butler, who has died aged 101. The production was besieged with difficulties but in 2003 Spielberg called him “the calm before, during and after every storm on the set of Jaws”.

Butler shot about 90% of the ocean scenes with a handheld Panaflex camera for greater flexibility and immediacy. Borrowing a trick he had picked up while shooting second unit on the thriller Deliverance (1972), he also made a transparent box into which the camera was placed to allow for shooting at water level. The effect, he explained, was dramatic and instantaneous. “The big advantage is that psychologically you’re asking: ‘What’s right below the water? Is that shark right there?’” Shots of the thrashing legs of oblivious swimmers “made the audience think: ‘That must look good to a shark. It looks like dinner time.’”

Jaws was one of two best picture Oscar nominees that year in which Butler had a hand, the other being Miloš Forman’s One Flew Over the Cuckoo’s Nest, the eventual winner, based on Ken Kesey’s novel about patients in a psychiatric hospital. Butler was Oscar-nominated for Forman’s film along with Haskell Wexler, who had shot the lion’s share of the footage before being sacked. It was a stormy set, with the actor Jack Nicholson refusing to speak to the director and communicating instead with Wexler and then Butler, who reportedly shot everything from the climactic party scene onwards. A year earlier he had replaced Wexler on Francis Ford Coppola’s brooding surveillance thriller The Conversation (1974).

After Jaws, Butler’s biggest commercial successes were the musical Grease (1978) as well as three consecutive sequels to Sylvester Stallone’s 1976 boxing drama Rocky, beginning with Rocky II (1979). Butler brought a special vitality to the fight scenes in the series, occasionally shooting with as many as eight cameras simultaneously. “As carefully as we planned, there were times when we expected to pan left and something unexpected happened, and we needed to go to the right or zoom instead,” he said. “When an actor slipped, we caught the expression of surprise on his face.”

Some projects even he couldn’t save. Can’t Stop the Music (1980), a vehicle for the disco group the Village People, was a flop that later acquired a cult following. That honour eluded another musical, Graffiti Bridge (1990), starring and directed by Prince. It was shot by Butler, once again serving as an 11th-hour replacement, at the singer’s Paisley Park studios near Minneapolis.

Butler was born in Cripple Creek, Colorado, to Wilmer, a farmer, and Verca, a psychiatric nurse. The family moved to Henry county, Georgia, when he was five, then on to Mount Pleasant, Iowa. He was educated at Mount Pleasant high school and received a degree in engineering from the University of Iowa, where he became fascinated with cameras. He worked for four years as a radio station engineer while also setting up a television station that was later sold to ABC.

Next he got a job at the Chicago-based WGN-TV, where he met the director William Friedkin. Their documentary The People Vs Paul Crump (1962), about an African American man on death row, was screened for Otto Kerner, the governor of Illinois, in rough-cut form the night before Crump was due to be executed. Examining the evidence presented in the film, Kerner changed the sentence to life without parole. “I remember thinking: ‘My God, film has this kind of power?’” said Butler. “That little 16mm film saved someone’s life.”

For Philip Kaufman, Butler shot Fearless Frank (1967), starring Jon Voight as a man who is killed then resurrected as a superhero crime-fighter. He collaborated for the first time with Coppola on the director’s road movie The Rain People (1969), then shot Nicholson’s directorial debut, Drive, He Said (1971).

Among his later credits are the baseball comedy-drama The Bingo Long Travelling All-Stars & Motor Kings, the rape revenge thriller Lipstick (both 1976), Demon Seed, in which Julie Christie is impregnated by a malevolent computer, the conspiracy thriller Capricorn One (both 1977), the horror sequel Damien: Omen II (1978) and two military comedies, Stripes (1981) and Biloxi Blues (1988).

Butler was lauded for his television work: he won an Emmy each for Raid on Entebbe (1976), based on a real-life hostage rescue mission in Uganda, and an adaptation of A Streetcar Named Desire (1984) starring Ann-Margret as Blanche DuBois. He was nominated for another for shooting the steamy mini-series The Thorn Birds (1983).

In 1997 he shot a pair of films that echoed his past glories: the monster movie Anaconda owed more than a little to Jaws, while Don King: Only in America, made for TV, utilised his expertise in rendering ring-craft. For the latter, Butler built a box camera that the actor Danny Johnson, who played the world heavyweight champion Larry Holmes, could physically attack. Johnson “pulverised the lens”, said the director, John Herzfeld. “He literally beat it to shit. You’re completely in a subjective point of view.”

Butler maintained that the 1970s were the “perfect time” for him to make his name. “It was a merging of a lot of film styles that up until then had been very staid, very straightforward. There were certain rules you didn’t break, except I was one of those people that came to break all the rules.”

He is survived by his second wife, Iris (nee Schwimmer), their children, Genevieve and Chelsea, and three daughters, Judy, Patricia and Pam, from his first marriage, to Alma (nee Smith), which ended in divorce in 1983.

🔔 Wilmer Cable Butler, cinematographer, born 7 April 1921; died 5 April 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[winniemaywebber]

thanks @john-cleven for the tag!

rules: choose 4 of ur fav characters from 4 pieces of media as options and let your tumblr pals decide which one most suits your vibe

tagging @hephaestn @manonsmanicmind @butterfly9012 @bobparkhurst @archival-hogwash @ginabaker1666 @sagesolsticewrites and whoever else wants to play along!

[vhagarswattle]

Went out for a bike ride in an ancient bralette…call me Georgia Nicholson the way I nearly got knocked out by my nunga nungas

[swedesinstockholm]

30 juin

l’autre jour on discutait de la fin de melancholia de lars von trier avec n. et elle me disait que ça l’avait fait réfléchir à son désir de créer quelque chose d’important, à quoi bon si c’est pour que tout disparaisse du jour au lendemain avec l’explosion de la terre percutée par une autre planète? et je lui ai dit que je le voyais pas du tout comme ça moi, que je voulais créer des choses pour pouvoir en jouir tout de suite, parce que le présent est plus important que le futur, je crée parce que je veux être aimée tout de suite, pour être vue et entendue et reconnue, pas pour laisser quelque chose derrière moi ou contribuer à je ne sais quel patrimoine matrimoine littéraire ou artistique. elle m’a demandé si je me contenterais de l’admiration de quelques personnes et j’ai dit que j’étais déjà euphorique quand une seule personne sur tumblr me disait qu’elle aimait me lire. et puis j’ai ajouté non mais si, j’ai très envie de devenir célèbre, évidemment. what’s the point of making great work if everything is going to disappear? the point is now! the point is the present. how very buddhist of me. il me manque plus qu’à tuer mon égo maintenant. à moins que r. s’en soit déjà chargé samedi soir. c’était tellement violent d’entendre sa voix dans mes écouteurs me dire d’un ton grave et ultra sérieux qu’il ressentait pas la même chose que moi. je sais pas pourquoi je m’inflige de l’écouter et le réécouter et le réréréécouter, c’est comme de regarder un accident de la route en passant à côté, je sais que ça va me traumatiser mais je peux pas m’en empêcher, j’aime remuer le couteau dans la plaie, j’aime souffrir. peut être que c’est une tentative de vraiment tuer mon égo. ou peut être que c’est parce que je m’aime pas assez, je sais pas. il dit qu’il s’était aperçu qu’y avait un truc à partir du moment où j’avais utilisé le mot date pour se voir, le moment où moi je me suis dit c’est bon j’en suis quasiment sûre maintenant, c’est bien un date. je crois que c’est bon là, y aura pas de troisième faux date, je ferme mon imagination, mon cerveau est désormais une zone fiction free.

mercredi je me suis promenée au viktoriapark et je me suis assise sur un rocher sous les arbres à la source de la cascade pour m’entraîner à chanter le nouveau couplet de ma chanson. j’ai changé “car tu ne me laisseras jamais sur vu puis disparu” à “car tu ne me diras jamais que tu ne m’aimes pas”. j’adore chanter dehors depuis cet hiver quand je m’entraînais à chanter all that jazz dans la rue en rentrant du théâtre le soir. j’ai acheté un short fleuri des années 90 qui me rappelait un imprimé de mon enfance et puis j’ai acheté le premier tome du journal de georgia nicholson dans un magasin de livres d’occasion pour l’offrir à n. je l’ai feuilleté et ça m’a rappelé à quel point ce livre avait influencé mon écriture à l’époque du blog, et à quel point il m’avait formée en tant qu’écrivaine en fait. avec le journal d’une princesse. je sais même pas si je tiendrais un journal comme je le tiens aujourd’hui sans ces livres. peut être que je me serais jamais mise à l’écriture du tout. je portais mon tshirt céline sciamma qui m’a valu un great shirt! d’une fille probablement lesbienne alors que je mangeais mon donut cream cheese à la fraise sur le trottoir, ainsi que plusieurs regards approbateurs dans les rues de neukölln. un peu déçue de pas avoir eu plus d’interactions avec des filles queer pendant mon séjour quand même, à part la coloc de n. qui me terrifiait un peu, celle qui m’a réveillée à sept heures le jour où j’ai dormi dans la cuisine et qui m’a proposé d’aller finir ma nuit dans la chambre de la fille qui était pas là. n. m’a dit qu’elle travaillait comme videuse au schwuz, le plus grand club queer de berlin, et ça lui allait comme un gant.

dans le bus le soir j’ai posté un appel à lancer des soirées diary slam avec moi après avoir découvert ça dans un bar de neukölln, c’est des soirées où tout le monde peut venir lire le journal de son enfance/adolescence et peut être que je pourrais essayer de lancer le concept à bruxelles et ainsi infiltrer le monde artistico-littéraire bruxellois et devenir une des reines de la scène littéraire locale comme perrine. c’était bien moins dramatique qu’à l’aller dans le bus, j’étais assise exactement à la même place mais j’étais bien moins triste. enfin j’étais surtout triste de quitter berlin, ce qui est une tristesse beaucoup plus supportable. j’ai écouté monument ordinaire en regardant le soleil se coucher derrière les éoliennes, puis je suis passée à avril lavigne en arrivant à leipzig vers minuit. en sortant de la ville je regardais les maisons de banlieue dans le noir et j’avais l’impression qu’on était en france. que leipzig avait glissé quelque part sous fontainebleau, vers là où habitent p. et s. vers une heure du matin j'ai mis sam smith période 2015 mais pas pour être triste, même celle où il dit i love you believe me but not in that way, j’ai pas pleuré. j’ai écouté l’album cinq ou six fois de suite, je sais pas pourquoi ça me faisait du bien.

6 juillet

j’ai enfin brisé la glace avec r. en lui envoyant un tiktok d’un oignon qui chante une chanson d’amour au type qui veut le couper pour le faire pleurer et j’ai dit disons que je viens de briser la glace? et il m’a dit oui tu viens de briser la ce-gla et il m’en a envoyé d’autres et puis on a discuté d’adrienne maree brown et de notre fascination commune pour le rapport extrême que les américains entretiennent avec la nourriture et il est plus du tout revenu sur mes messages qui répondaient à ses questionnements, alors qu’il avait dit qu’il avait des trucs à me répondre, mais peut être que je saurai jamais ce qu’il avait à me répondre parce que tout ce qu’il veut vraiment c’est continuer à pouvoir m’envoyer des trucs drôles et j’ai du mal à comprendre. quand je pensais qu’il avait un crush sur moi ça faisait sens, mais là, je comprends pas pourquoi il s’acharne. en fait je comprends tout simplement pas pourquoi il veut être mon ami. peut être que c’est encore une question de non amour de moi-même. mais moi, est-ce que je peux vraiment être son amie? est-ce que je me voile pas un peu la face? est-ce que je pourrai le revoir un jour sans me rouler par terre de douleur? je veux tellement pas le perdre que je suis prête à tout endurer. hier à la piscine quand je pensais à lui parfois ça me faisait nager comme une forcenée et puis parfois ça me stoppait net et je laissais tomber ma tête sous l’eau comme une morte.

[silverspleen]

Show us the yaoi shelf

Not pictured off camera: More vintage scifi classics (Dune, The Godwhale), super basic supernatural romance novels, and another vintage romcom series from my childhood that's still funny but probably super offensive at this point (Confessions of Georgia Nicholson, my beloved).

Also a barbie locker and a bunch of dragons.

AWFUL. WHAT IS GONG ON HERE. THERE'S NO COHESION.

This needs to become either another scifi shelf OR a fully romance/bl shelf and not both.

[char0ntheinternet-01]

Georgia Nicholson had so much emo potential :((

[thenicholsongalleryseo]

Discover the Finest Luxury Furniture Stores in Atlanta, Georgia | The Nicholson Gallery

Atlanta, Georgia, a vibrant city known for its rich culture and growing design scene, boasts some of the best luxury furniture stores that can transform any home into a sanctuary of elegance and purpose. For those looking to blend timeless beauty with modern functionality, luxury furniture stores in Atlanta offer a diverse array of furniture that meets the highest standards of quality and craftsmanship.

One of the standout names in the city’s luxury furniture scene is The Nicholson Gallery, founded by Martha Nicholson in 2005. With a love for interiors, antiques, and travel, Martha has curated a unique selection of furniture that combines vintage accents with industrial chic pieces, creating a blend of history and warmth in every space.

A Blend of History and Modern Elegance

Martha Nicholson's vision for The Nicholson Gallery was to create a space where furniture was more than just an aesthetic choice but a statement of history and purpose. Since its founding in 2005, the gallery has become a destination for those seeking a combination of elegant antiques and industrial chic pieces. Every item in Martha's collection is handpicked to bring both beauty and functionality to the home, with a focus on craftsmanship and the story behind each piece.

Whether you’re looking for a classic French Louis XVI mirror, a vintage armoire, or a rustic industrial-style table, The Nicholson Gallery offers something for every taste. Martha’s lifelong love of antiques is evident in the collection, with many pieces having been carefully sourced during her travels. What sets this gallery apart is the way it seamlessly blends antique pieces with modern elements. Whether you’re furnishing a contemporary home or a more traditional space, the gallery’s collection provides the perfect balance of history and modernity.

At The Nicholson Gallery, the philosophy is clear: furniture should be functional, beautiful, and meaningful. By mixing vintage and industrial elements, Martha creates spaces filled with warmth and character, perfect for those who want their homes to reflect a rich history while embracing a modern lifestyle.

Luxury Home Furnishings: Exquisite Custom Designs

If you're looking for exclusive, high-end furniture that will truly stand out, The Vault Luxury Home Furnishings is the place to go. This luxury store offers an extraordinary selection of custom-designed furniture and home accessories, each piece hand-selected for its quality and craftsmanship. Specializing in one-of-a-kind designs, The Vault is the destination for homeowners who want something unique and tailored to their specific needs.

The Vault offers a broad range of luxury furniture, including custom sofas, chairs, tables, and lighting. Whether you’re looking for modern minimalism or luxurious opulence, The Vault’s offerings are sure to elevate any room in your home. The store prides itself on its exclusive collections, many of which cannot be found anywhere else, ensuring that each client’s home is outfitted with furniture that reflects their personal style.

What makes The Vault stand out is its dedication to bespoke design. The store's team of experts works with clients to create fully customized pieces that perfectly align with the vision for their space. Whether you need a statement piece or a subtle accent, The Vault’s designers ensure that each item not only fits your home but becomes a work of art.

Conclusion

Luxury furniture stores in Atlanta offer a wealth of options for homeowners who want to elevate their living spaces with exceptional style and quality. Whether you’re drawn to the historic charm of The Nicholson Gallery, the bespoke elegance of The Vault, or the custom craftsmanship of Southern Comfort Furnishings, Atlanta has something to offer for every taste and preference.

By choosing pieces that reflect both personal style and timeless craftsmanship, you can create a home that is not only beautiful but meaningful. Each of these stores provides something unique, ensuring that your space is filled with furniture that speaks to your taste and brings warmth and purpose into your life.

[areyoudreaminof]

1 and 9 for the ask game please!

My Plans for Elucien Week:

Day 1 Fated: Elucien Playlist PART 2 That's right. I got more songs!

Day 3 Adventurers: Join Elucien and Jassa for some fun on the continent.

Day 4: High Society. We get to see the reputation these two have gained as emissaries. It's a fun one shot.

Day 7 AU: a teen diary AU reminicent of The Princess Diaries and Georgia Nicholson. Set in 2005 and follows sophmore Elain Archeron as she navigates high school with her popular older and younger sister and seeing if she really does like that Lucien guy she keeps bumping into.

[earcandle]

ECP0995 They Call Me Lucky, Simple Pleasures Café, SF, 3/23/12

Ear Candle Productions brought our cameras to the Simple Pleasures Café, where we captured They Call Me Lucky, a San Francisco-based Americana-folk trio who often played the Noe Valley Farmer's Market and put out a compilation of artists who played there that is unfortunately unavailable. The coffee house audience enjoy their acoustic sounds.

(This band is not to be confused with the Georgia-based rockabilly artist Lucky Jones.)

Ear Candle Productions is a small music label, video production, and eLearning website. We also have a free, 24/7 global Ear Candle Radio program designed to bring creative ideas to the worldwide public at large.

The owners of Ear Candle Productions are the creatives, John Bassham (AKA J Neo Marvin) and Debra Nicholson Bassham (AKA Davis Jones). We live in San Francisco. Come visit our website, check out our YT, Bandcamp, Ear Candle Radio, Internet Archive, and other pages at https://earcandleproductions.com